Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Anders Zorn
Drottning Sophia

ID: 81143

Anders Zorn Drottning Sophia
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Anders Zorn Drottning Sophia


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Anders Zorn

Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | emma som parisiska | Woman getting dressed | Unknow work 110 | fiskmarknad i st. ives | kyrkfard |
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Pietro Antonio Lorenzoni (1721 - 1782) was an Italian painter who is believed to have painted several portraits of Wolfgang Amadeus Mozart and his family: "The Boy Mozart" (1763), his sister Maria Anna Mozart in "Nannerl as a Child" (1763) and a portrait of their father Leopold Mozart (c. 1765). He arrived in Salzburg, Austria in the 1740s and first wanted to paint Wolfgang and Nannerl. His protege, Johann Nepomuk della Croce, painted a Mozart family portrait in 1780.
Peter Franchoys
Peter, Peeter or Pieter Franchoys or Francois (1606-1654) was a Flemish Baroque painter from Mechelen, who painted an altarpiece of Calvary influenced by Anthony van Dyck for the St. Gummarus church in Lier, Belgium. [edit] Biography He first learned to paint from his father, Lucas Franchoys the Elder, and later from Gerard Seghers in Antwerp . In 1631 he traveled in France and is recorded being in Fontainebleau. In 1646 he became a member of the Mechelen schutterij and in 1649 he became a master in the Guild of St. Luke there. According to Houbraken he was known for his landscapes with small figures, that attracted the admiration of Archduke Leopold Wilhelm of Austria, for whom he painted many years. His work is memorialized in the Gulden Cabinet of the poet from Lier, Cornelis de Bie.






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